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Best rap lyrics for captions11/24/2023 ![]() ![]() Instead, the rapper born Aubrey Drake Graham has gained a chokehold on popular culture. Everything that makes Drake, Drake - the cryptic, emo self-deprecation, the media aversion, the desirable mirage of an image that he’s cultivated - should have set him up to fail. Whether or not you’re a devout follower of the cult of Drake, few can look at his rise to fame and not acknowledge that a biracial boy from Toronto rose against all odds from a teen actor on Degrassi to a beefy, self-referential hip-hop demigod. The nerdy, eager version of himself also shaped who he is today. But the message Drake was sending with the surreal, life-imitates-art-imitates-life moment was clear: He’s 36 now, worth an estimated $250 million, and has morphed himself into a superstar who has stretched the rigid boundaries and rules of hip-hop and R&B. The “hologram” turned out to be merely an uncanny lookalike, and the quasi-poetry reading a textbook example of how Drake challenges the expectations of masculinity forced upon rappers. It was the first night of Drake’s first tour in five years, and aside from the 25,000-strong crowd and one giant inflatable sperm, the rapper was joined that night by what appeared to be a hologram of his younger self, decked out in baggy denim and a Chicago Cubs jersey, with the superstar’s former curly hairstyle. The book may have been released by Phaidon, the well-respected arthouse publisher, but this was no typical poetry reading. At Chicago’s United Center arena earlier this month, Drake perched comfortably on a couch and read aloud from his new poetry book, Titles Ruin Everything. ![]()
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